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Joe Finkleman explores why we make pictures... |
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Joseph Finkleman has enjoyed basking in the limelight since his
birth in Hollywood, CA. These days he hangs out on stage performing
two voice poetry or at galleries, where he shows both photography
and watercolor. Joe has a BFA and an MFA from the
San Francisco Art
Institute.
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THE ARTIST'S STATEMENT I have curiosities and passions. As a writer I frequently write about unrequited longing and loss. As a painter, a re-occurring theme is the stories that we tell ourselves. But is is as a photographer that I get to look at one central question: why do we make pictures? This isn't a casual question, nor is it a simple one. For me, it is a fascination with what constitutes a picture and what does not. We make pictures when we look up at a cloud, or inspect a textured wall; we make pictures out of nothing, and that fascinates me. There are physiological explanations: that the brain is a self-mapping topography. We seek like patterns and create chemical pathways linking what we see as a pattern with what we have seen before as a pattern; thus the connection is made and the cloud becomes a turtle or the textured wall has a face hidden in the swirls. But I find that unsatisfying. There is a connection in language formation: Noam Chomsky theorized that before we could speak, we had for a long time gathered in groups. We already had the ability to vocalize, so we made sounds; we would gesture; we would get together in small groups and make rhythms, vocalize and gesture. |
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